![]() What we now know as Garamond are modern interpretations of fonts that were inspired by drawings which were modeled after the punches of Claude Garamond. Robert Slimbach’s interpretation, Adobe Garamond, is particularly nice and is available through Adobe Fonts. Through the arrangement of all this information, I showcase and emphasize Garamond’s unique qualities, paying homage to the typeface’s history and its usage today. Named for the French punch-cutter Claude Garamond, the typeface in its current form has a foggy past. See it at, as well as anywhere Google says you can legally obtain it. Garamond Pemiere Pro was designed by Robert Slimbach, and released in 2005.' The story of Garamond Premier begins with a trip to Belgium. Most modern versions of the Garamond typeface, including the Adobe Garamond design, base their italic type on Granjon’s lettering. Times New Roman and Garamond are common examples of serif typefaces. His fonts have been widely copied and are. Israeli typographer Henri Friedlaender examines Hadassah Hebrew typeface sketches. The typefaces Garamond produced between 15 are considered the typographical highlight of the 16th century. Robert Granjon, another very famous influence on typography, started as an assistant to Garamond. A typeface (or font family) is a design of letters. ![]() He was once commissioned to design a typeface solely for the purpose of printing books in Greek, the typeface was called Grec du Roi and was only used in the printing of books by the Greek Government. The earliest use of that font was in the production of a series of books by Robert Estienne. Claude Garamond’s typefaces were used in the printing of many books in Roman and Latin. His most famous (and inspirational) typeface was cut early in his career for the French court – specifically King Francis I – and was based on the handwriting of the king’s librarian, Angelo Vergecio. The renowned Parisian printer Claude Garamond was a driving force behind typeface creation during the Renaissance period in the sixteenth century. The old-style typefaces of Garamond and his contemporaries continued to be regularly used and kept in the stock of European typefounders until the end of the eighteenth century and appear in the major French type foundry specimen books of the eighteenth century, of Delacolonge, Lamesle, and Gando.
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